In my view, performance acts as a sort of connective tissue between all parts involved, and is not a prerogative of human bodies but inherent to objects as well. In my sculptural practice, I wish for the performative side to be visible in the body of the sculpture itself. What gives the sculptures a performative facet is their spatial context and relationship with the viewer, which is not frontal but rather fostering circular, mutual interaction. My engagement with sculpture is therefore motivated not only by a fascination with the object itself, but mostly with the dynamics between it and the surrounding context. I have often created my sculptures to be means to an end, which acquire meaning when considered in their environment at large, rather than self-contained works.